The Iron Crown: a hidden gem by Kaneto Shindo
Kanawa (aka “The Iron Crown”) is another exemplary ‘kaidan’ film by Kaneto Shindo, distinguishing itself from his other renowned works like “Onibaba” and “Kuroneko.” Unlike those set in the Heian or Muromachi periods where ghost stories could seem plausible due to the era’s beliefs, “The Iron Crown” seamlessly blends old-world charm with a modern-day ghost narrative.
The film revolves around a betrayed woman, portrayed compellingly by Nobuko Otowa, who takes possession of her husband upon discovering his infidelity with the enchanting Flower Meg. When her husband seeks a divorce following the revelation, she refuses, knowing it would only validate his new relationship. In a poignant act of vengeance, she chooses to haunt them, ensuring her presence lingers as a vengeful spirit, a ghostly reminder of betrayal turned demonic.
Throughout the movie, Shindo masterfully incorporates ritualistic scenes, immersing the audience in a theatrical experience reminiscent of Kabuki performances. Traditional instruments accompany symbolic moments that depict the animosity, the curse, and the woman’s transformation into a malevolent entity.
The ‘kabuki’ sequences in the film immerse viewers in traditional aesthetics, infusing the narrative with cultural richness. These moments, from the captivating opening to recurring scenes like nailing a puppet to a tree, symbolize the protagonist’s quest for retribution, delving into supernatural possession, notably in the haunting hotel scene. Contrasting with tradition, the husband and his lover are disrupted by haunting telephone calls from the betrayed wife. The eerie essence emerges through a succession of these unsettling calls, diverging from traditional haunting tropes. Kaneto Shindo’s inventive direction combines modernity and tradition, enriching the narrative with a captivating blend of contemporary and classical horror.
“The Iron Crown” is a slow-burning atmospheric thriller that captivates viewers, proving that the allure of old-school ghostly horror remains potent in contemporary society. Nobuko Otowa’s impeccable performance, as always, elevates the film, leaving audiences with lingering chills and thought-provoking reflections long after the credits roll. The landscape in Onibaba undergoes a metamorphosis, transitioning from verdant fields to unyielding concrete, yet the essence of horror remains steadfastly unchanged.